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How to cite the information on this page

RESONANCE project team (2026). "The legacy of Adolfo Gutkin in Havana" in RESONANCE: Epistemologies for the Documentation of Affect and Available at http://resonance.fcsh.unl.pt/event/96/, accessed Oct 24th 2026.

The content on this website is licensed under a CC BY 4.0 license. This means anyone can use this information with appropriate attribution. Under this license, attribution includes giving appropriate credit, providing a link to the license (see above), and indicating whether changes were made.

The RESONANCE project is supported by the Programa Regional Lisboa 2030, Portugal 2030 and the European Union (LISBOA2030-FEDER-00914500). This work is also co-funded by national funds through FCT – Fundação para a Ciência e a Tecnologia, I.P., under the reference 2023.17624.ICDT (https://doi.org/10.54499/2023.17624.ICDT), and Instituto de História da Arte is also funded by FCT through the projects projects UID/00417/2025 (https://doi.org/10.54499/UID/00417/2025) and LA/P/0132/2020 (DOI 10.54499/LA/P/0132/2020).

Events

Epistemologies for the documentation of affect and becoming in cultural manifestations in performance (1969-1979)

Open Call For Zine Contributions

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Nov 5th 2025

Public talk

The legacy of Adolfo Gutkin in Havana

Together with Pedro Cerejo (ICS), the researcher Ana Bigotte Vieira presented her latest research on the relationships between Cuba and Portugal, Mozambique, Guinea Bissau, S. Tomé, Cape Verde, and Angola through the work and legacy of Adolfo Gutkin at the International Conference 60 Years of the Tricontinental Conference: Context, Impact, Legacy, and Future.

© Marta Lança

Held in Havana between the 12th and the 14th of January 2026, this conference celebrated the anniversary of the notable event. Bigotte Vieira’s presentation, with the title “Cuba – Portugal – Cuba / Cuba – Portugal – Mozambique, Guinea Bissau, S. Tomé, Cape Verde, Angola: Adolfo Gutkin’s independent theatre networks from the 1960s to the 1980s” champions one of the main strands of this researcher’s investigations under the remit of the RESONANCE project.

© Marta Lança